Updating Submissions in Progress

So we’ll try a little experiment here.  In my last post I mentioned that I had updated my short story “Memorial” into a much better story, and was subsequently bummed out that I had already submitted the non-updated version to many of my top tier locations.  13 of 17 of those submissions have been rejected, but 4 are still out there in review.  So I thought I might query those four places and see if they would let me send them the updated version of the story, since they had not yet reviewed the initial non-updated version I had sent them in March.  Those venues are:

I emailed these four fine literary magazines asking if I could send them the new version of the story.  I’ve never tried this before, so I really don’t know what to expect.  They could all shoot me down, or they could say, “ah, what the heck, send us the new draft.”  I’m hoping for the latter, obviously.

edit 6-1-2010: Black Warrior Review allowed me to submit the updated version of the story, and so now I like them more.  Updated story sent.

edit 6-3-2010: American Literary Review said I could resubmit, but I’d have to wait until October to do so, since their reading period is currently closed, and anything I sent to them now, even a submission update, would automatically be sent back by their interns.  That’s cool.  I had them withdraw the original submission I’d sent them and will send them the updated one in October, as long as it has not already published by then.

Resubmissions and Parentheticals

I think I won’t write about not watching TV anymore.  It is boring stuff, and I can only say so many times, “Hey, I’m still not watching TV.”  It’s starting to sound like bragging, which means that’s the end of it.  I’m not watching TV, and I’m not writing about not watching TV.  The first rule of not watching TV is you don’t talk about not watching TV.  Ditto on the second rule.

I think I’ve completed my best short story yet.  It’s called “Memorial.”  I’ve had free time to work on it in the evenings, and I finally got a printer up and running in our house, so I printed it off, edited it through a couple times, made two moderately major changes (set it in the present instead of the future, and removed clipped coloquial verbiage, both upon recommendations of trusted readers) and now I think it’s quite publishable.  The problem?  I’ve already submitted it to 17 places in its “set-in-the-future-with-clipped-coloquial-verbiage” form.  So that sucks, because those 17 place were some of my top-tier places that I submit to, and since 13 of them have already rejected it, I can’t submit it to them again.  So now it’s off to other markets, hopefully ones that pay more than just contributors copies.

I know many authors think that if a story (or poem or essay or poemessay(?)) is rejected, they can significantly revise that story and resubmit it as a new piece of material to the very place that has already rejected them.  I don’t believe in that approach.  I say if you get rejected, you keep a stiff upper lip and move on to the next venue, whether you revise the story or not.  Were I an editor of a literary journal (or publishing house) I wouldn’t want to see the same story three times in three different draft forms.  That’d be a waste of time.  I’d say if an editor asks for a revision specifically, then go for it, but otherwise, don’t resubmit it even after significant editing.

(Also, I love parentheticals (and double-parentheticals) because they are so easy to drop in wherever you’d like.)

A New (Canadian) Novella Publisher

A couple days ago my novella “Goodwill” was rejected by a publisher.  Boo hoo.  So, of course, I went to find another place that I might submit to.  A little searching showed me that many contests for novellas are out of date online, and that certain publishers aren’t taking the time to remove these frustrating pages from the interwebs.  A little more searching led me to Short Sharp Shock, a publisher out of Canada that only publishes novellas.  What a glorious find.  Finally, someone out there cares about the novella form other than Miami University Press.  I sent Short Sharp Shock a query for my novella, and am eagerly awaiting their clever, Canadian rejection letter.

It is still difficult finding publishers that take novella-length submissions, and actually read them with the intent of possibly publishing them.  Many places I know and read accept novella-length submissions, but only very rarely do they publish them (I’m looking at you, Missouri Review and your little “Bearskin”).  It’s very refreshing to find publishers like Short Sharp Shock that actually enjoy novellas and desire to publish them.

So goes my crusade to bring the novella to the forefront of the publishing industry.

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